Travel enthusiasts
need no introduction to the magnificently sculpted temples at Belur and Halebid
near Hassan, Karnataka. It is one of the must-see architectural wonders before
you die. The moment you step on the temple platform, you become instantly aware
of being in the presence of a great artistic feat. Master-craftsmen toiled hard
on a soft type of stone called soapstone to produce wonders during the reign of
Hoysala kings seven to eight centuries ago. But there is more to Hoysala architecture
than just Belur and Halebid. The empire sprang up in south-central Karnataka
after the eclipse of Chalukyas and Rashtrakutas of Badami, with a geographical
range extending hundreds of kilometers. Naturally, the region is studded with
several magnificent temples, some of them even challenging Belur and Halebid,
but unknown to the outside world other than chronicles of the Archeological
Survey of India. I made some enquiries on the Internet about some of the
Hoysala temples near Hassan, and was immediately enchanted by the splendor of
some temples located very remote from sites of prominence. Just then, I got
hold of Gerard Foekema’s incomparable book titled ‘A Complete Guide to Hoysala
Temples’. I wanted to visit all the prominent Hoysala temples – all
seventeen of them – but settled finally on fourteen temples in and around
Hassan. Considering the expediency of time and money, temples at Somanathapura
(near Bengaluru), Basaralu (near Mysore) and Amritapura (near Chikmagalur) were
exempted from this trip.
Day 0 (May 4, 2016)
Mangalore-bound
Maveli Express was scheduled to arrive at Aluva railway station at 11:50 pm. We
reached the station sufficiently early. It was a very warm night. Summer heat
was rampaging in Kerala. A remarkable thing we observed was that the station
has shed its characteristic smell of accumulated waste and dried urine. Swachh
Bharat program seemed to be doing its job, as the platforms were clean and
without litter. The train arrived ten minutes late and we settled for a good
night’s sleep in train.
Day 1 (May 5, 2016)
We reached
Mangalore Central by 8.30 am. Since our connection train was from Mangalore
Junction, we hired a cab to get to that station situated nearly 5 km away.
Mangalore seemed a nice, sleepy town that was just waking up from last night’s
slumber. Our driver might have taken some shortcut, otherwise no respectable
railway station would be connected to the city with such narrow roads. By 9.00
am, we reached Kankanadi, which was renamed as Mangalore Junction. There is no
restaurant on the platform and the station is very isolated from major roads.
We waited on the platform for nearly two and a half hours before the Karwar –
Yashwantpur Express chugged on to the platform. It left Mangalore one hour
late.
The mesmerizing
stretch of railway line from Mangalore Junction to Subrahmanya Road enchanted
us. There are 58 tunnels on this 91-km long line. It cuts across the Western
Ghats and breezes past pristine forests and awesome gorges. Many tunnels are
short and some are long, but there is nothing too long. It was a pleasant
experience to encounter darkness enveloping you from all sides, and children
roaring with laughter when the train enters a tunnel. When we reached
Sakleshpur on the way, distant thunder was heard, heralding a welcome break
from the sweltering summer heat. When we neared Hassan, it was pouring all over
and we alighted at Hassan Railway Station at 5.15 pm. Taking an auto rickshaw,
we drove straight to the hotel.
When dusk fell,
Hassan’s streets appeared to have come alive with people briskly going about
their lives and small groups clustering around street peddlers. We took a
leisurely evening walk for some time. After dinner, we settled for the night.
Day 2 (May 6, 2016)
1. Mosale-Hosahalli
Nageshwara - Chenna Keshava
Temple Complex, Mosale Hosahalli
|
We took to the road
at 8.00 am and proceeded straight to the small hamlet of Mosale Hosahalli on
the Mysore road. This is a very small village inhabited mainly by farm
labourers. The Nageshwara – Chennakeshava temple complex was built in 1200 CE
by the Hoysala king Veera Ballala II. The temples appear to be perfect twins.
The mandapa is supported by four lathe-turned pillars. The shikhara (tower)
over the main shrine holds the Hoysala crest that depicts a warrior fighting a
lion. This is not to be missed. At the pinnacle of the structure is placed the kalasha (decorative water pot). Ornate
sculptures surround the shrine which stand on the ground. Stone inscriptions by
later kings are also seen inside the temple complex.
The perimeter gate
was locked when we reached the site. The watchman, who was staying nearby,
immediately opened the gate as well as the shrine doors. We solemnly watched
the architectural wonder inside, which is nothing short of a miracle. The
shrines are not large by any standard, but the sheer work which went in making
it stand apart is truly amazing. After spending half an hour at the temple, we
moved to Anekere.
2. Anekere
Chenna Keshava
Temple, Anekere
|
Anekere is also a
small hamlet 5-km away from Channarayapatna town. A brief drive brought us to
the temple, which was locked. A woman from a nearby house came with the key and
opened it for us. The Chennakeshava temple is dedicated to Lord Vishnu, and was
built in 1119 CE. The porch has beautifully carved pillars, but the sculpture
on the temple itself is rather ordinary. The pillared corridors which surround
the temple is attractive. The gopura houses a kalasha, but there is no Hoysala crest here. The mandapa houses
lathe-turned pillars. Even with all this, the ornamentation of the temple is
not so captivating. You can safely give it a miss.
3. Hosaholalu
Our driver was not
sure about how to reach Hosaholalu, our next destination. He clarified the
directions with the woman, who was the temple’s caretaker. Hosaholalu is
located in Mandya district and is famous for the Lakshminarayana temple built
in 1250 CE. What Anekere lacked, Hosaholalu compensated in lavish detail. The trikuta (three-shrine) temple has a
central gopura that doesn’t
possess the kalasha
nor the Hoysala crest. Contrary to the structure at Mosale Hosahalli and
Anekere, here the temple is built on a jagati
(platform) almost a meter high. We entered the temple compound, but mandapa was
locked and no watchman or caretaker was in sight. So we made a round of the
magnificently decorated temple. The local village has almost encroached on the
premises, which is neatly segregated by the Archeological Survey of India. The
temple wall houses several eaves in which stories of epics and images of
animals are sculpted. The stone pathway was almost red hot in the summer heat
and we had a tough time walking around the shrine without footwear. Visitors
are advised to keep a pair of socks handy, if they plan to visit in summer.
Lakshmi Narayana
Temple, Hosaholalu
|
Shravanabelagola
This is really not
a part of the Hoysala route in the strict sense. But we included it as it so
near to the other sites and we hadn’t yet visited the town. It’s a 27-km drive
from Hosaholalu to our next destination at Shravanabelagola. Our driver took a
route through some of the typical Karnataka villages after he crossed
Krishnarajapete. Very good roads pass through undulating fields filled with all
kinds of crops. We reached the town by noon.
Shravanabelagola is
a prominent Jain pilgrim centre. The word belagola
means ‘a white pond’ and the town’s name means Shravana’s white pond. There is a majestic pond at the very centre
of the town, but its colour is anything but white. It shines like an emerald
when looked at from the hill nearby – such lively is its green colour. Two
hills are located on both sides of the pond. The one on the south is the taller
one, Vindhyagiri, which is the abode of a colossal nude statue of Gomateshwara
Bahubali, who was the son of Rishabhanatha, the first tirthankara of Jainism. It is said that, being very devout, he
entered meditation in a standing posture. Years went by and climbers encircled
his legs and body parts. The 57-feet high monolithic statue atop Vindhyagiri
hill commemorates this legendary prayer of Bahubali.
It was literally an
‘uphill’ task to climb the 133-m tall (1047 m from MSL) Vindhyagiri hill at
noon, especially without footwear which you have to deposit in the counter at
the foot of the hill. Peddlers sell socks and hats helpfully, at exorbitant
rates. Be prepared to bargain hard with them. If you agree to buy at the very
first price they demand, chances are that they would surmise that you are
stupid! The slope is gentle, steps are neatly cut in the granite and handrails
are also installed. Even very old people can make the climb, if done at a
leisurely pace. After resting at several places, we reached the top in half an
hour. Bahubali’s statue, built in 983 CE, stands majestically with careless
abandon of worldly things – cloths being one of them! Michelangelo’s David on display at Florence, Italy is
said to be the world’s most admired male nude. Bahubali, made almost six
centuries beforehand the Renaissance masterpiece, may also aspire to such a
claim in India.
The cloistered
corridor around the statue houses idols of Jain tirthankaras. All of them are nude and looks similar. On our way
down, we abandoned the plan to visit Chandragiri hill which is nearby and only
half as tall as the first one. The heat was so oppressive! We had lunch from a nearby
restaurant, which is in fact an extension of the owner’s house. After lunch, we
walked to Akkana Basadi, which is nearby. This is a Jain temple built during
the Hoysala period in memory of a devout Jain lady named Achiyakka. Akka means elder sister in Kannada.
Unfortunately, the
temple gate was locked when we reached there by 2.30 pm. Locals said that one
man from a nearby Jain basti will come and open it at 3.00 pm. So, we waited
there under the shade of a tree. There were nobody except ourselves at the
site. The sky was slowly getting dark with thick rain clouds and by 3.00 pm,
heavy rain poured out. We took shelter in a Hindu temple located on the
opposite side of the road. We waited till 3.30 pm, but still there was no sign
of the caretaker. At last, we left the place and drove back to Hassan.
After having tea at
the hotel, we planned a short walking trip to Hassanamba temple, located about
2-km away from the hotel. The city of Hassan derives its name from Goddess Hassanamba.
A brisk walk through the busy streets and by-lanes of Hassan guided by Google
Maps brought us to the imposing gopura of Hassanamba. There is a main temple
devoted to Hassanamba and another shrine to Siddeshwara (Lord Shiva) though not
in the linga form. The Hassanamba
shrine will be open for only a week in a year, at the time of Deepavali. It is
said that as the sapta matruke (seven
mothers) were going south, they were captivated by the beauty of Hassan and
decided to take abode there. The goddess is in a smiling pose and hence the
name. There is an ant-hill inside the sanctum sanctorum, with only a lit lamp
for company, and waiting for the next opportunity to see daylight a few months
from now. We went back to the hotel, had dinner and a good night’s sleep.
Day 3 (May 7, 2016)
4. Kondajji
The Kalasha and the Hoysala Crest |
On this day, we
planned to visit the north of Hassan, whereas yesterday, we had gone in the
southern direction. We went straight to Kondajji. After a few enquiries with
locals, our car reached the portico of a modern building on the middle of a
plot of land. There was nobody around. The structure was unlocked and at one
end of the building there was a locked room that looked like a sanctum
sanctorum. Getting out of the building, we looked everywhere to ask for
directions. There were lush green farm plots on all sides with the green
turning slightly to a yellowish hue in the bright morning sun. Then we saw two
farmers crossing a nearby brook on their way to the fields. We quickly went
near them and asked where the Allalanatha temple was. They pointed to the
concrete building with a slight smile, obviously wondering why anyone should
come from afar to see this mediocre temple. Our disappointment knew no bounds.
Had we come so much distance only to see this building, which was evidently
constructed after demolishing the previous one built by the mighty Hoysalas?
We peeped through
the locked door panels of the shrine. The idol of Allalanatha (Lord Vishnu) is
the only saving grace of this temple, standing magnificently at 18-feet, made
out of black stone, bearing a conch, wheel and mace. The facial expression is
arresting. Hoysala fans can safely give this place a miss.
5. Doddagadduvalli
Lakshmidevi Temple,
Doddagadduvalli
|
Next, we drove to
Doddagadduvalli on the road from Hassan to Belur. It takes a detour from the
main road and passes through 5-km of captivating beauty of Karnataka’s
countryside. As usual, the temple is stemmed in by the village. The Lakshmidevi
temple was open, but the shrine was locked. No caretaker was seen nearby.
The temple is built
on the ground in a chatushkuta (four shrines and towers) style. Entry to the
walled enclosure is through an exquisitely carved porch with lathe-turned
pillars. All four towers still sport the kalasha,
but the Hoysala crest is present in only one of the towers. The gopuras are on
the Kadamba style. The temple itself was locked and nobody was around to open
it for us. After a walk around the temple, we returned to the car. The sculpture
on the outer walls of the shrine is not elaborate. We drove next to Belur.
6. Belur
Situated on the
banks of the Yagachi River, Belur is the only semi-urban site in which famous
Hoysala monuments are located. The Chennakeshava temple, dedicated to Vishnu,
was consecrated in 1117. The main entrance to the temple is topped by a
Tamil-style gopura built during the Vijayanagara period, which is incongruous
with the architecture of the shrine. There are two pillars on the courtyard.
The Garuda sthambha (eagle pillar) was built during Vijayanagara times, while
the deepa sthambha (lamp pole) belong to Hoysalas. The intricately sculpted
Hoysala crest just outside the doorway of the temple is quite impressive.
The temple has
three entrances. The doorways have decorated sculptures on either side. What
differentiates this temple from other Hoysala temples of the same plan is the
unusually large size of the basic parts. The mandapa has sixty bays. The
superstructure on top of the shrine is lost over time. You may refer to
Foekema’s book for an artist’s impression of how it might have looked like. The
jagati is wide enough to make simultaneous
circumambulation by many people. The mandapa is said to be open when it was
built, but converted to a closed one after about fifty years. This was done by
erecting walls with pierced window screens. The pillars inside the hall are
very attractive and the most popular one is the Narasimha pillar, which at one
time could’ve revolved on its ball bearings. The four central pillars have been
hand-chiseled while the others are lathe-turned. All of these four pillars bear
salabhanjikas (celestial damsels).
There is a rotatable light inside the mandapa, which can be used to focus light
on them, by paying Rs. 30. Completing the rounds of the temple, we left for
Halebid.
7. Halebid
The road to Halebid
was really bad in some places though restoration work was in progress. After
about half an hour’s drive, we reached the place, which rather looked like a
dusty market place. A lot of tourists had come there. The Hoysaleshwara temple
is dedicated to Shiva and completed in 1150 CE. This was sacked and looted by
Muslim invaders in the 14th century. This place was known as
Dwarasamudra in those days, the capital city of the Hoysalas. It is strange
that no remains of palaces or city fortifications are seen in the
neighbourhood.
The Hoysaleshwara
temple is of dwikuta type. The entire
complex is on an elevated jagati. The
two adjoining shrines have a mandapa in front. The towers of the shrine are
missing, but Foekema’s book is helpful here also. The outer walls of these
temples contain an intricate array of stone sculpture. The ceiling is supported
by lathe-turned pillars. As in Belur, this temple originally had an open
mandapa to which outer walls with pierced window screens were later added. The
four pillars in front of each shrine are the most ornate and the only ones with
salabhanjika sculptures.
After completing
the Hoysaleshwara, we went to Kedareshwara temple, which was just a kilometer
away, but visited by nobody. This temple also is dedicated to Shiva. The temple
stands on a jagati. It is a trikuta structure. Despite being a Shiva
temple, its friezes depict from both Shaiva and Vaishnava legends, epitomizing
the symbiotic nature of medieval Hindu worship. The temple was unfortunately
locked, and no watchman was in sight. So we just loitered around the shrine,
which was deserted except for a few couples who were very discreet in their
movements looking for some privacy!
On the way back
from the Kedareshwara and hardly a kilometer away from it is a Jain basadi. This is a group of three Jain
temples dedicated to Parshwanatha, Adinatha and Shantinatha. The caretaker in
the temple complex showed us the way and explained the salient features. The
temple is steeped in darkness, particularly so when we had just stepped inside
from the midday sun. No lamps were lit inside and there are no windows in the
sanctum. There is an 18-feet tall idol of Parshwanatha here. Our guide switched
on the lights and we saw its nude majesty in full. It is clear from the guide’s
description that the Hoysalas gradually shifted their allegiance from Jainism
to Hinduism around the time of construction of these temples. There is a mute
sense of incompleteness – of work half done – around the complex. Unsculpted
stone slabs portray a feeling of neglect. We could only join in the anguish Jains
of that period might have felt when they saw their prominence erode along with
royal favour. Spending some time there, we left the place.
There are no decent
restaurants in Halebid and we made good with a small one near the Hoysaleshwara
temple which served only Kannada meals. We had to consume what was available,
but frankly, the food was good but unaccustomed to the taste, we couldn’t enjoy
it.
8. Belavadi
Veera Narayana
Temple,
Belavadi
|
After lunch, we
left for Belavadi via the road to Arsikere. A short drive brought us to the imposing
structure at Belavadi. The Veeranarayana temple is located here. The place is
known in legend as Ekachakranagara where the Pandava prince Bhima is said to
have killed Bakasura. This trikuta temple
was built in 1200 CE by King Veera Ballala II. This temple is known more for
its architecture than sculpture. Three shrines are separated by a mandapa
having lathe-turned pillars. All three shrines have images of Lord Vishnu, in
the forms of Veeranarayana, Venugopala and Yoganarasimha. The stone pathway was
very hot and without footwear, was an ordeal. After spending about half an
hour, we left for Javagal.
9. Javagal
Lakshmi Narasimha
Temple,
Javagal
|
The road to Javagal
retraced our route and joined the Halebid – Arsikere road from which we had
branched earlier. A very short drive brought us to the Lakshminarasimha temple,
which was built in mid-13th century by the Hoysala king Veera
Someshwara. This is a trikuta shrine
with a superstructure for only the central shrine. The temple was locked and we
couldn’t enter it, as nobody was seen on the premises. After admiring the outer
sculpture, we returned to Hassan, reaching the hotel just in time for tea.
This was our last
evening in Hassan, as we had planned to leave the city on the next morning. We
went for a walk around the town, having some shopping to do. The town bus stand
was crowded as usual, but there was an air of unhurried charm in the people. On
the way back to the hotel, we spent some time in the nearby Maharaja Park. As
darkness settled in, we strolled back to the hotel. There are some temporary
stalls selling delicious varieties of chicken. Being street food, we can’t
recommend it, but we didn’t experience any ill effects. A calm night and good
rest awaited us at the hotel.
Day 4 (May 8, 2016)
10. Korvangala
Buccheswara Temple,
Koravangala
|
After breakfast, we
vacated the hotel at 8.00 am and drove straight to Korvangala, 12 km away. The
detour from Rameshwara Nagara on the highway to Arsikere runs through vast farm
lands. The caretaker at the temple showed us the temple and surroundings. The
Bucceshwara temple was built in 1173 by a rich officer called Bucciraja to
celebrate the coronation of Hoysala king Veera Ballala II. Dedicated to Lord
Shiva, the temple is a dvikuta
structure, where the two shrines of Surya and Shiva face each other. The
temple’s decorative features are not so ornate, and is said to belong to the
old kind prevalent even before Hoysala times. It has a kalasha and the Hoysala crest. After spending some time in the
mandapa, which was very cozy in the morning coolness, we headed for the next
destination.
11. Nuggehalli
Lakshmi Narasimha
Temple, Nuggehalli
|
Nuggehalli is
nearly 35-km away from Korvangala and the ride passes through some beautiful
Kannada villages. The road to Lakshminarasimha temple is laid through some
thickly populated narrow lanes. One such lane was blocked by a decorated motor
car under an awning drawn over the road. It was placed there to carry the
bridegroom of a wedding in the house nearby. They moved the car for our vehicle
to pass.
The temple was
built in 1246 CE by Bommanna Dandanayaka of the Hoysala king Veera Someshwara.
The town was called Vijaya Somanathapura in Hoysala times. This temple is of
the trikuta pattern, with fine
sculpture adorning the walls. From outside, the temple looks like an ekakuta, the two lateral shrines are
simple extensions of the mandapa. The priest performed some pujas for us, but
was reluctant to show us around. After capturing some photos, we left the
place.
12. Aralaguppe
Chenna Keshava
Temple,
Aralaguppe
|
Aralaguppe is
nearly 54 km away. The Chennakeshava temple is dedicated to Lord Vishnu. The
temple was built around 1250 CE by King Veera Someshwara. The jagati here is of a special design of a
16-pointed star and the shrine also follows this basement pattern. This ekakuta shrine is said to be of the
later kind. The priest here was very cooperative. He immediately began a puja
for us and handed us prasad, without
our asking for it. The time was mid-noon and we retraced our road to the nearby
town of Tiptur, where we had lunch.
13. Haranahalli
Lakshmi Narasimha
Temple, Haranahalli
|
We proceeded to
Haranahalli via Arsikere. The road was very good, with low traffic in the
blistering May sun. When we reached Lakshminarasimha temple, the sanctuary was
found locked. An aged man resting in the porch directed us to the priest’s
nearby house. Our driver volunteered to go and fetch him. He quickly came back,
bringing with him the keys to the shrine itself! The priest must have been
truly trusting! We opened the doors of the temple with it and witnessed the
superb sculptures. This temple was built in 1235 CE by the king Veera
Someshwara. It is said that this temple has seen no structural additions or
modifications during the intervening period, giving it an original look. The
plan is a trikuta, with a
superstructure for the middle shrine. The temple is located on a jagati. There is no kalasha or the Hoysala crest.
There’s another
temple, dedicated to Lord Shiva, called Someshwara temple nearby. But this one
was locked, and we had already returned the keys with a small gift. So we
admired it from the perimeter fence and took a few photos. After spending some
time there, we moved to our last destination of the trip.
14. Arsikere
Ishwara Temple,
Arsikere
|
Arsikere derives
its name from the tank (kere) of the
queen (arasi). Ishwara temple,
dedicated to Lord Shiva, was built in 1220 CE. This temple has a unique
16-pointed star shaped mandapa in front of the shrine. This is of ekakuta structure. The shrine has a
tower, but the kalasha finial is said
to be of recent construction. In place of the Hoysala crest, an image of a bull
(nandi) is seen. This was the last
point in our itinerary and the driver dropped us at Arsikere railway station by
4.00 pm
Jan Shatabdi
Express from Hubballi to Bengaluru was delayed by more than an hour. While
waiting on the platform, we sampled the delicious Arsikere vada. If you plan to
visit the town, be sure to have a bite of this tasty snack. Still, there was
plenty of time left. So I just walked to the junction nearby where the town bus
stand was located. The bus station was a busy one, with vehicles plying to all
parts of Karnataka coming and going in an endless stream. People rushed to
their busses with baggage and children on tow. As darkness fell, I returned to
the station. Jan Shatabdi arrived at 7.00 pm. By 10.00 pm, we reached
Yashwantpur. Mangalore Express departed at the right time at 12.00 midnight. We
had to get off at Shoranur, and was delayed by nearly 2 hours due to derailment
of a train at Tiruppur and reached Aluva by 5.00 pm
Accommodation
We stayed at the
Mallige Residency. The rooms are compact and elegant. The staff is very
courteous and the hotel is away from the hustle of the city, yet very near to
the city centre. The nights were very calm and quiet. Electrical equipments in
the room like the split AC, electric kettle and LCD TV were very much fresh!
The TV showed all channels the DTH provider supplied. It was rare to find a
hotel where you could watch more regional language channels than at your home.
The furniture was trendy. Free WiFi is available in rooms, which was reasonably
fast.
On the flop-side,
the room was somewhat small for its genre. The bathing space was very confined.
The restaurant is vegetarian, but non-vegetarian food will be served in
individual rooms. One water bottle per room was provided on daily basis, but it
required frequent reminders to get new bottles.
Travel
We hired an Innova
from Sri Sai Travels. The rate was very reasonable. Shri. Umesh Kumar, its
owner, was very polite and our driver, Shri. Shamanth was too gentle for a
driver. On one day, we forgot to collect our bag from the car in the evening
and came to think about it only half an hour later. But Shamanth quickly came
with the car with no demur and handed it back. Our long-distance journeys were
by train.
Book References
Gerard Foekema’s ‘A
Complete Guide to Hoysala Temples’ is an essential companion for those who
intends to visit these temples.
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